Sustaining Activism: A Brazilian Women’s Movement
03/04/2013
6:30 pm - 8:30 pm
Skylight Conference Room, 9th Floor
Sustaining Activism combines analysis of a successful rural women’s movement at a key moment in the development of Brazil’s democracy with examination of the father-daughter ethnographic methodology developed by Rubin and his daughter to study, write, and teach about the movement.
Barter Networks in Argentina 2002-2005 with David Harvey & Marina Sitrin
03/04/2013
4:15 pm - 6:15 pm
Room 9204
Documentary Film Screening and Discussion. Monday March 4, 2013 from 4.15 – 6.15 pm, Rooms 9204/ 9205, CUNY Graduate Center. Free and open to the public; no reservations required.
The Horizon of Incrimination: lecture by Alyosha Goldstein
02/26/2013
2:00 pm - 4:00 pm
CUNY Graduate Center
This lecture examines the politics of colonial difference in the United States by focusing on two historically distinct episodes addressed to the divide between foreign and domestic in the constitution and contestation of US settler sovereignty.
Faith and Feminism in Pakistan: Afiya Zia and Gayatri Spivak in conversation
02/25/2013
7:00 pm - 9:00 pm
Proshansky Auditorium
Under the canvas of the “War on Terror”, the postcolonial themes of violent and hotly contested religio-nationalism have been revisited in Pakistan over the last decade. These have had direct and specific implications for women and minorities. This discussion by Afiya Shehrbano Zia traces the backlash against the liberal and/or secular women’s movement as betrayers of the Muslim (male) cause. It will also discuss the misguided prescription of those academic and developmental projects that advocate the instrumentalisation of Islam as an appropriate and ‘authentic’ approach in Muslim contexts.
American Empire with Joshua Freeman, David Harvey, Adolph Reed, Lisa McGirr and David Nasaw
02/22/2013
6:00 pm - 8:00 pm
Martin E. Segal Theatre
What are the costs of creating a global empire? David Nasaw (GC, History) will moderate a discussion of four distinguished scholars as they consider Joshua Freeman’s new book, American Empire, 1945-2000: The Rise of a Global Power, the Democratic Revolution at Home (2012) and the profound shifts in economic and political power that have taken place in America since the Second World War.
Room change: Neil Smith Memorial February 20th, 2013
02/20/2013
4:30 pm - 7:00 pm
CUNY Graduate Center
Join us as we celebrate the extraordinary life and legacy of Professor Smith.
Subversive Histories with Moon Ho Jung
02/19/2013
6:30 pm - 8:30 pm
Room C198, CUNY Graduate Center
Moon-Ho Jung traces the historical origins of the national security state – the heart and soul of the U.S. empire – to a series of U.S. “foreign” and “domestic” policies targeting Asians on both sides of the Pacific. By exploring how Asians came to be racialized and radicalized subjects of the U.S. empire before World War II, he will seek to reframe notions of movements across the Pacific.
From the Ruins of Empire: book talk with author Pankaj Mishra
01/31/2013
7:00 pm - 9:00 pm
Elebash Recital Hall
Panel discussion with author of Pankaj Mishra’s “From the Ruins of Empire: The intellectuals who remade Asia.”
Juli(a) Rivera: Mein Viertel 100″(My Quarter of 100)
01/10/2013
7:30 pm - 10:00 pm
Brecht Forum
NEW YORK PREMIERE
Co-sponsored: Groundfloor Collective
In 1984, poet/activist/lesbian Audre Lorde went to Germany for treatment of cancer. Her years there not only marked a resurgence of her written work (The Cancer Journals) but also the development of a vibrant Afro German community. Afro Germans are plagued by invisibility There are no official census of Blacks in Germany and until 1984 (and the publication of Farbe Kenne (Many Colors) they were simply referred to as “War Babies” (The off spring of Black soldiers). Audre Lorde intitated a gathering of Afro German men and women which resulted in the 1987 anthology Farbe Bekennen(Many Colors). 25 years later, the Afro German community continues to organize for self determination and recognition. Tonight’s program highlight’s the work of Juli Rivera, a Black gender non conforming anti genetrification activist. Her three fillms deal with the growing genetrification of the neighborhood of Kreutzberg, a working class hub in Berlin, as well as the day to day racism and brutality found in Germany. Through their* work we see a vibrant composite of the contemporary German scene.
*Please note the artist choose “they” instead of “he or she”.
Juli(a) Rivera’s Statement
[I was born in 1984] in the German Democratic Republic. (Parents Angola and Germany) Juli Rivera is an Afro-German gender non-conforming film maker who lives and works in Berlin and Toronto. They are an activist in various communities like the Black and Queer Communities in Germany and Canada. They started in Leipzig (East Germany) as a Photography and Performance artist. Their latest work is centered about Queer families and “non western gender concepts.” Besides the fabuloussness, they studied European Antropology and Gender Studies in Berlin and have been an exchange student to Tornto in Gender Studies. They work inwith various queer family programmers at the Centre for women and trans people and hosted film screenings. Juli(a) Rivera’s first documentary Mein Viertel 100 (translated “My quarter of 100”) made in 2011, is the first documentary from a member of the Black community about the Black community in Germany. It talks about an annual meeting which was highly inspired by Audre Lorde during her visit in Germany in 1984. It was produced without any funding and is a work that could just only exist with the help and goodwill of the people who run the anual meeting of Afro Germans for over 25 years.
The other 2 short films: gentrification celebration This movie talks about the significant gentrification in a mostly people of colour area in Berlin, Kreuzberg. It shows with humor the dynamics of gentrification and how it effected the filmmaker themselves to react to that by taking a position within this game. (No budget movie with a taste of fancyness) the decadence of your starvation:a short performance piece of creating a Black Queer German Narrative within the mainstream voices. (No-budget movie and happy with that.)