Against all Odds: Ten Myths Shattered by the Tunisian Revolution

Against all Odds: Ten Myths Shattered by the Tunisian Revolution

with Taoufik Ben-Amor and Peter Hitchcock

 

March 21, 2012 at 6.30 pm

The James Gallery, CUNY Graduate Center


A year after the fall of Zine al-Abidine Ben Ali’s government in Tunisia that sparked uprisings all over the Middle East, what is the status of democratic outcomes of the Tunisian revolution? As journalists still fight for freedom of the media and racketeering has erupted in the job market, join Taoufik Ben-Amor (Arabic Studies, Columbia) as he speaks with Peter Hitchcock (Center for Place, Culture and Politics) about the cultural as well as political impact of this historic shift. This conversation finds its home in Decolonizing Architecture Art Residency’s Common Assembly which opens a forum in the James Gallery for discussions of rejuvenation of contested sites.

Taoufik Ben-Amor is Gordon Gray Jr Senior Lecturer in Arabic Studies at Columbia University. He specializes in Arabic language and linguistics, language and identity, Arab music, and music in Sufism. His research combines his interests in music, language and identity in the Arab world through the study of lyrics. He has published extensively, including a textbook on Tunisian Arabic. His most recent papers are entitled “Language through Literature” and “The Making of Tradition: Standardization of the Lyrics of the Tunisian Andalusian Malouf.” 

 

 

 

 

 

Peter Hitchcock has taught in CUNY since 1988. He has been a Visiting Professor at SUNY Stony Brook, Beijing University, and Shanghai University. He studies literary and cultural theory, twentieth century film and literature (American, European, Asian, and African), and the work of Mikhail Bakhtin. He is the author of four books: Working-Class Fiction in Theory and PracticeDialogics of the OppressedOscillate WildlySpace, Body, and Spirit of Millennial Materialism; andImaginary States: Studies in Cultural Transnationalism. He has edited and introduced a special issue of South Atlantic Quarterly on Mikhail Bakhtin and is on the editorial boards ofDialogism and Cultural Logic. He has published around fifty articles in journals such as Modern Fiction StudiesTransition,Third Text, Rethinking MarxismResearch in African LiteraturesWomen’s Studies QuarterlyCultural Studies,TheoryCulture and SocietyTwentieth Century Literature, as well as in a number of anthologies. 

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